My first show, in England, was called Soldier, Soldier.

From university, I tried to get into the profession almost immediately, and just got kind of kicked back in London, by lots of people saying, "Well, you know, we'll need to see you in something. And the easiest way for you to get seen in something is drama school. That is the best way to get an agent."

I think it was in my second week that I auditioned for Battlestar. I was very "Oh gosh, I want to be in television, I want to be in something, but I don't know if I want to be in this."

What would I like? Some very silly comedy where I don't have to think about anything, but it could be a lot of fun. And if it's not that, then I'll want to be involved in something where it's like, you're really dredged up to the neck in emotion, where it's as exciting as the premise of Battlestar.

Film and television as a medium has only very recently begun to be taught at the great drama schools in the UK. When I was at drama school in the UK, I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, "We've taught you Anton Chekhov and William Shakespeare, you are likely to be in a washing-up soap-liquid commercial."

On a personal note, myself, I find religion - I can understand it, I can understand why we have it, as a kind of force on the planet. And I also at the same time think it's ludicrous. My Latin education teaches me that religion comes from religio, which means, "to bind." To bind with rope. And that's all it means.

You can't find that moment when you became somebody else, because everything is in flux. So as it were, the torturous period where you are changing, you are transforming - I think that can be very hard on somebody's system. You don't necessarily realize that is what's happening.