I've got to take a bit of a break from science fiction. As much as I've loved this stuff, I'm ready for a different century or a different time period as an actor, as an individual. Something that's, what's the word, something that's not involved with spaceships.

Belief is everything when you're performing something. If you don't have the belief behind it, then that actually puts a shunt on the character. It's like, "Does the character believe this for a minute?"

My first show, in England, was called Soldier, Soldier.

I was convinced that I was going to be onstage for the rest of my life.

I went to Los Angeles, because I have a manager, and - I can't remember when, but we met in London maybe six months or a year beforehand, and he said, "Listen, if you really want to get a job out of L.A., you really need to come." And I was like, "Well, can't I send a tape or something?" And he was like, "No, no, you need to come."

On a personal note, myself, I find religion - I can understand it, I can understand why we have it, as a kind of force on the planet. And I also at the same time think it's ludicrous.

I was desperate to do more TV and film. Because I considered myself to be a theater creature. A theater animal. I was convinced that I was going to be onstage for the rest of my life. Because it's something I can really do. I thought I was pretty good at it, and it's kind of stupid, but I was concerned that people would go, "Oh yeah, he's very good onstage, I'm not sure he can do television."