The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.

As a character actor, I've learned that you have to watch yourself because nobody else is watching. Nobody is concerned with you.

I play an 89-year-old man whose wife has Alzheimer's in a movie called 'Still.' I play a World War II veteran, I acted with my son and it's called 'Memorial Day.'

Studios are run by those who are way too old or mostly young, who don't think creatively.

You don't just one day say, 'That's it, I'm doing this, I'm going to throw all my shoes out and I'm not eating honey and I won't drive my car because there are animal bones in the tires' because you'd drive yourself around the bend.

Once a film is shot, the thing that mostly happens is that I go see all the things I would have fixed in my performance and sometimes, very rarely, I see a moment that surprise me and I go, "Oh, that's not bad. That was nice."

Often we're recreating what we think we're supposed to be as human beings. What we've been told we're supposed to be, instead of who we authentically are. The key about the creation of full self-expression is to be authentically who you are, to project that.