I prefer to have playback, but sometimes, you can't have that under most circumstances. First, it is expensive because you need a playback operator and secondly, it threatens a lot of directors. I only watch my performance. I see what is necessary for me so that I can see it right at the moment and I can fix it. That appeals to me a great deal.

The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.

What happens when you're naked is that people get that you're really just a human being. There are parts of it that are pretty appalling, and there are parts that are okay. That's what it looks like. If you can embrace and accept what people look like in the altogether, it's not so difficult to accept them with their clothes on.

First lead [in a movie] requires a different approach like trying not to give it all away in the first scene. It is a skill, a learned skill.

If a kid ever realized what was involved in factory farming, they would never touch meat again.

Pigs may not be as cuddly as kittens or puppies, but they suffer just as much.

For my entire career, I wanted to be a director. When I was in the theater, it was very difficult to get directing jobs, and I fell into the acting by default. I got in the habit of accepting whatever came my way. Not things that I disagreed with, though. It's not like I had aspirations - well, I did have aspirations to play Hamlet, which I ended up doing.