It's quite a mistake to think that music fans don't work on major record companies. Sometimes, you know, you do find some good people on corporates, among all the infidels.

I'm always very interested in playing in front of different kinds of audiences. It always affects the way you play.

Most bands, when they sign with a major, are from an indie. They usually start off with a big dilemma. They think they're selling a part of their souls or they're losing control over an aspect of their lives or something.

Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.

The people I've met -- obviously, the people I'm going to meet after concerts are people that bother to hang around and there's going to be more of a chance of things translating to them because they're going to take more time over it, if they're going to wait around to meet us. But so far, it does seem as if things written down are translating into people actually buying it, that kind of way.

I became a completely dysfunctional, miserable person, completely uncommunicative and aggressive.

Anybody that forms a group, writes songs and releases records and says they don't care if people like them are complete liars.