I think the great unspoken theme in noir fiction is male self-pity. It pervades noir movies.

I've created a narrative of the world. I live in the world - tenuously, most times. I've avoided the digital world.

I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.

The novel is final form; it's the ultimate individual final form. Television and motion pictures never get there. You'd be fabulous to think that something you write is even going to be filmed. I give it the best shot of which I'm capable. But it's more a payday for me. And if I didn't have alimony and the full-time assistant.

I wanted things. Whatever it cost and whatever it took, I would do it. And that's it.

The wildest ride in modern crime novel exoticum. A novel so steeped in milieu that it feels as if you've blasted to mars in the grip of a demon who won't let you go. Read this book, savor the language-it's the last-and the most compelling word in thrillers.

My mother and I will continue on some level that I havent determined yet. I think my mothers a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.