The novel is final form; it's the ultimate individual final form. Television and motion pictures never get there. You'd be fabulous to think that something you write is even going to be filmed. I give it the best shot of which I'm capable. But it's more a payday for me. And if I didn't have alimony and the full-time assistant.

There are a lot of Ellroy lifts, man. This guy went to school. But then there's a willful thing that comes over me - God gives it to me - where I go, "That's real nice, let's just go home, pat yourself on the back, good dog, good dog, and wake up in the morning and go to work."

You get up in the morning because you might meet a woman. And if you stay at home by yourself, alone, you will not meet a woman.

My mother and I will continue on some level that I havent determined yet. I think my mothers a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.

I'm way past the idea of using ideology or political view as a gauge of human character. I simply don't believe it. And many people, I tend to think most people, feel that way. Since I don't have to worry about it, I'm happy.

My guys are morally weak, and they reach toward a tenuous knowledge of self-sacrifice, and sometimes it's too late. I find that moving. It's not a life I'd want to live. But, then, I'm not completely my books.

I don't feel in any way obligated to remain current with the culture. I feel no social obligation whatsoever. I trust my morality in the narrow path I trek through the world as I work.