The problem with trying to make a film good and have it work for an audience is the problem of trying to tell a story well. The shape or the color of it doesn't matter.

Evil is a broad church. There are so many different ways to be evil. Sometimes it's fun to be the guy who doesn't know that he's bad, like the character I played in True Blood. He was pretty angsty about it, but he thought he was doing the right thing.

Every project has its things to be overcome, but I didn't find that there was anything particularly impossible about what we were doing - it was all quite exciting.

As movies and TV projects come up, they go out to the agents and we just go out and audition for them.

Acting isn't something that I think about very consciously, somehow that just doesn't work for me. I just kind of feel my way into it.

I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.

The Buccaneers was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.