Working with CGI is more like doing theater where your sort of imagining things. I didn't experience it as restrictive.

I am a little in awe of Jeff Bridges. He's an actor I have admired for many years, and so I didn't know who I was going to get, in the sense that I didn't know what he was going to be like. And so I was pleasantly surprised that he is this kind of laid-back guy.

You know, what I didn't know was how many people in the tech world the original movie had such an impression on. That's really interesting to me because a lot of the people who created this technological revolution that we're all living through were kids when Tron came out, and they saw Tron and it impacted them.

The Buccaneers was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.

I was surprised by how much of it I was in [Tron: Legacy]. I thought the character was just going to register as a smaller figure because most of what I did was with a body double, and then I would do the stand-in with Jeff [Bridges] and he would be just wearing his regular clothes.

Every project has its things to be overcome, but I didn't find that there was anything particularly impossible about what we were doing - it was all quite exciting.

With my guy, every now and then, he puts on a mask and does that, but he isn't that. Most of the time that we see him, he isn't that. Most of the time that we see him, he's fun to hang around with. I think that's unusual, to that extent.