Working with CGI is more like doing theater where your sort of imagining things. I didn't experience it as restrictive.

Acting isn't something that I think about very consciously, somehow that just doesn't work for me. I just kind of feel my way into it.

The acting in Downton Abbey has been consistently excellent across the board.

That was one of the things I hadn't really put together. Since the first movie and this movie, the rest of us have been living that revolution, largely engineered by people who were Tron fans. That's pretty deep, man.

I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.

The Buccaneers was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.

I was surprised by how much of it I was in [Tron: Legacy]. I thought the character was just going to register as a smaller figure because most of what I did was with a body double, and then I would do the stand-in with Jeff [Bridges] and he would be just wearing his regular clothes.