The costumes, the light rigs and the effects are seamlessly joined. I'm kind of bummed that I don't get the experience that you get with just watching it cold. By the time we'd seen all the visuals put together, I'd sort of become used to that world. It's still pretty impressive.

And sometimes it's fun to be the guy who just really enjoys it, like the guy I'm playing now on The Cape. He's more that. He's much more flashy and debonaire and devil may care-ish. He just loves doing bad in the world. That's real fun to do.

For all that Tron wanted to be, it ultimately had to be a fun ride for the audience and I was going to be one of the comic characters, and he was really on top of that. He was having such a good time doing it. That's my memory of it. I'd love to work with him again. I think he's great.

I'm not particularly an expert on the genre. Correct me if I'm wrong, but usually you see most of the super-villain in his villainous role. He's the Green Goblin, or whatever various bad guys in Batman, or something like that. It's the excessive, larger than life, cartoon-ish, costumed character that is the personification of evil and has to be destroyed.

That was one of the things I hadn't really put together. Since the first movie and this movie, the rest of us have been living that revolution, largely engineered by people who were Tron fans. That's pretty deep, man.

I was surprised by how much of it I was in [Tron: Legacy]. I thought the character was just going to register as a smaller figure because most of what I did was with a body double, and then I would do the stand-in with Jeff [Bridges] and he would be just wearing his regular clothes.

Forney in Where the Heart Is has more fans than any other character Ive played.