Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.

I felt, implicitly, or not so implicitly, that subjects about women and other races were out of my jurisdiction as a creator. That if I moved too far from my own experience, and my own established identity, I would be criticized for taking even more of those wedding pies from others.

Anyone has outside influences. They are the results of the cosmic roll of the dice: this person is born Aragon the Ranger, this person is born a prisoner in North Korea, this person is born Carlos the Dwarf. Some of these things are out of our control, but that doesn't mean that they can't be changed. A character, just like a person in real life, is a summation of her actions and feelings. Our actions and emotions are not performed against nothing, they do not arise from dust, we are in constant friction, and/or flow with our surroundings.

I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.

Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.

Showing the addiction and unusual sexual practices are ways of just outlining a much bigger character trait.

I don't like sleeping in a bed.