The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.

When I went to film school about three years ago, the first two years you're required to make a series of short films. I started making films based on short poems.

"The Wolfpack" is a real life clash of life and fiction and the saving power of brotherhood and make-believe.

Quite Franc-ly, I think I am an asset to this world we live in. I know that if I didn’t exist, there would be some truly upset people just waiting for me. A life without Franco is like a kitten without fur. That’s what my reflection told me.

As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work; it's like, it's you, and it's your emotions that they're working with.

I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.

This was the way the night had cashed in. Choices had been made and things happened, and here we were. It was sad, and funny. My life was made of this. Stuff like this.