If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.

I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.

If liking Katy Perry and drinking margaritas is gay, then who wants to be straight?!

Generally you don't initiate the projects - they're designed and you're inserted. Your material is edited by somebody. You feel a lack of power over your work.

There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.

I still work really hard, but I like to think I'm a little smarter about at least the type of movie I'm getting into.

I teach a lot - I teach at the UCLA and USC graduate film programs - and a lot of those projects are my students' projects that I act in or I do a cameo.