There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.

Quite Franc-ly, I think I am an asset to this world we live in. I know that if I didn’t exist, there would be some truly upset people just waiting for me. A life without Franco is like a kitten without fur. That’s what my reflection told me.

I don't even like to sleep - I feel as if there's too much to do.

When I went to film school about three years ago, the first two years you're required to make a series of short films. I started making films based on short poems.

I was a black center in the middle of all the nature. I was nothing, but I could do anything.

I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.

I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.