I have a great amount of confidence and faith in my abilities to write. There are other areas of my life where I'm not as confident, and have not as much faith, but when it comes down to writing and working, I don't worry about it. I trust myself to get it right.

I always wanted to write a book about LA, a big ambitious book. Nobody had ever really done it with LA- treating the city seriously as a major economic and cultural power, as the embodiment of 21st century America.

When I see you, the World stops. It stops and all that exists for me is you and my eyes staring at you. There's nothing else. No noise, no other people, no thoughts or worries, no yesterday, no tomorrow. The World just stops, and it is a beautiful place, and there is only you.

I meet a third man he's an old man he trips in the street he falls and I help him up, walk him to the curb. He shakes my hand says keep the faith, young man. I ask him what he means, he says keep running and don't let them catch you.

I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.

There's something, I think, that gets lost when we write something - something gets lost in the translation. So I speak everything out, and it's more important how it sounds. And applying that to more formal aspects of writing.

I want as much time in the darkness as I can possibly have. The darkness provides cover, the darkness provides places to hide and the darkness provides comfort. Darkness usually comes around dinner, but dinner would be too obvious.