They are all different and I find it hard to tell what flute suits me best.

Everyone who plays the flute should learn singing.

Taking drugs to overcome nerves is the thin edge of the wedge going in there.

By the time I got to the Paris Conservatoire I was very good at the scales and arpeggios.

I think it is most important for a teacher to play the pieces and studies that are being played by the student.

The mind of the performer is a very strange thing.

Being unprepared heightens nerves.