[T]he one indispensable ingredient of science fiction [is] a belief in a world being changed by man's intellect, a conviction that what was being written could really happen.

I don't really like movies that are all one or the other. It's really about the play between both of them. Now that I've said that, there's actually lots of movies that I like that are one or the other but it's just not for me as a filmmaker.

The zombie is in a lot of ways the perfect horror movie bad guy. It plays on so many fears all at once. The fear of predators, the fear of disease and the fear of loved ones betraying us - the ones we care about are turning around and trying to eat us.

I always like to think that I make movies that are like Nirvana songs. They have a slow verse and then they pop into high gear and then they go back into slow and then they pop into high gear again.

I love Groot so much I get teary eyed when I think of him sometimes. Essentially, all the Guardians start out the movie as bastards - except Groot. He’s an innocent. He’s a hundred percent deadly and a hundred percent sweet. He’s caught up in Rocket’s life, really.

[T]he one indispensable ingredient of science fiction [is] a belief in a world being changed by man's intellect, a conviction that what was being written could really happen.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.