...you find your genius by looking in the mirror of your life. Your visible image shows your inner truth, so when you're estimating others, what you see is what you get. It therefore becomes critically important to see generously, or you will get only what you see; to see sharply, so that you discern the mix of traits rather than a generalized lump; and to see deeply into dark shadows, or else you will be deceived.

The self divided is precisely where the self is authentically located. . . We all have identity crises because a single identity is a delusion of the monotheistic mind. . . Authenticity is in the illusion, playing it, seeing through it from within as we play it, like an actor who sees through his mask and can only see in this way.

My war - and I have yet to win a decisive battle - is with the modes of thought that and conditioned feelings that prevail in psychology and therefore also in the way we think and feel about our being. Of these conditions none are more tyrannical than the convictions that clamp the mind and heart into positivistic science (geneticism and computerism), economics (bottom-line capitalism), and single-minded faith (fundamentalism).

When they talk about family values, it's in a repressive way, as if our American tradition were only the Puritan tradition or the 19th century oppressive tradition. The Christian tradition.

The new age self-help phenomenon is pretty mushy, but it's also very American. Our history is filled with traveling preachers and quack medicine and searches for the soul. I don't see this as a new thing. I think the new age is part of a phenomenon that's been there all along.

We need to get back to trusting our emotional rapport with children, to seeing a child's beauty and singling that child out. That's how the mentor system works - you're caught up in the fantasy of another person. Your imagination and their come together.

Mediocrity is no answer to violence. In fact, it probably invites violence. At least the mediocre and the violent appear together as in the old Western movies - the ruffian outlaw band shooting up main street and the little white church with the little white schoolteacher wringing her hands. To cool violence you need rhythm, humor, tempering; you need dance and rhetoric. Not therapeutic understanding.