Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.

The ideas of [ Le Corbusier ] that actually found their way into practice were deeply destructive - for instance, the tower-in-a-park, which mutated into the vertical slums of the late 20th century.

Under the current high energy / high entropy regime, sustainable development is a joke.

As the places where Americans dwell become evermore depressing and impossible, Disneyworld is where they escape to worship the nation in the abstract, a cartoon capital of a cartoon republic enshrining the falsehoods, half-truths, and delusions that prop up the squishy thing the national character has become--for instance, that we are a nation of families; that we care about our fellow citizens; that history matters; that there is a place called home.

The cities of the future will be much smaller than they are today.

The Long Emergency will be chiefly characterized as a "time out" from technology. It could plunge us into a dark age of superstition. My guess is that we will lose a lot of knowledge and skill. But I also believe the human race desperately needs this "time out."

We are in for a fiesta of default, repossession, and distress selling of suburban property, much of which will lose its presumed usefulness and monetary value in an energy-scarce economy.