James Iha Quotes

I think if you're able to make the music you want and you can do it in the right kind of context, you don't have to be a circus ringleader to be successful.

At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.

It's much easier to work on other people's music and play in other people's bands as a guitar player instead of being the main songwriter and singer. That's a really big job to do that.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

So there was something of a learning curve with doing your own thing and people seeing you outside of the band. I mean, people have never really heard my voice before - or heard a whole record of mine before. So it was a completely new experience.

Musicians always come off sounding a little bit pretentious, and a little bit... I don't know, hypocritical, from what they do, talking about strong issues.

I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.

After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.

It's great working with directors and with somebody else's vision.

Even from a listening end now, I'm still completely a fan of music.

And they kind of left to find a guitar player at the very end, so you know, I don't really take it as any slight that I wasn't able to play on the record. It's flattering just to play with them period.

Well, I always hope that I'm a role model.

I live most of the time in New York now. I have an apartment there.

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.

All of the music works on its own, but it doesn't really make as much sense without the picture.

I like a lot of different kinds of music. I like strong projects, big music.

I'd like to keep doing film and TV, and I definitely can appreciate a good theme song. If it's memorable, that's a great thing.

I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.

My first job in NYC was playing a gig in the early nineties at CBGBs.

Yeah, I'm sure there are stereotypes of Asian people.

We have a partnership deal with New Line Records, which is part of New Line Cinema, and... I worked on that.

But, yeah, as far as Asian Americans go, I hope they know they can look at me and see that they can do music on their own, within a band or just on their own, and not feel like there's any barriers. I've never felt any particular barriers myself, being who I am.

There is a lot of work just in terms of traveling and logistics and people and gear and all that kind of stuff. But I never really have problems playing music. That never seems like work.

I like the challenges of doing different things. It keeps things fresh for me.

If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.

It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.

Well, I'm pretty domestic actually. I walk my dog. I go grocery shopping. I hang out with friends. I'm pretty normal, whatever normal is, on my off time.

Composing is just another exciting thing. It's as exciting as being in a band. It's kind of like joining a new band for three months.

I suppose listening to a double album is kind of like going to the chiropractor... It's pretty good for you but you can't force it on anyone else.

The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.

I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.

No, I've heard over the years that it's nice for them to see somebody who's like, you know, a well-known successful musician who's Asian. I've heard it from a few musicians, too.

I'm happy doing different things. Being in a band is great, but being in a band can be difficult sometimes.

I started a recording studio. I started producing people and doing remixes.

I grew up in the suburbs of Chicago.

All the bands I've played with have had dynamic front men.