The theory of ramification is one of pure colligation, for it takes no account of magnitude or position; geometrical lines are used, but these have no more real bearing on the matter than those employed in genealogical tables have in explaining the laws of procreation.

If I were asked to name, in one word, the pole star round which the mathematical firmament revolves, the central idea which pervades the whole corpus of mathematical doctrine, I should point to Continuity as contained in our notions of space, and say, it is this, it is this!

Chemistry has the same quickening and suggestive influence upon the algebraist as a visit to the Royal Academy, or the old masters may be supposed to have on a Browning or a Tennyson. Indeed it seems to me that an exact homology exists between painting and poetry on the one hand and modem chemistry and modem algebra on the other. In poetry and algebra we have the pure idea elaborated and expressed through the vehicle of language, in painting and chemistry the idea enveloped in matter, depending in part on manual processes and the resources of art for its due manifestation.

May not music be described as the mathematics of the sense, mathematics as music of the reason? The musician feels mathematics, the mathematician thinks music: music the dream, mathematics the working life.

Aspiring to these wide generalizations, the analysis of quadratic functions soars to a pitch from whence it may look proudly down on the feeble and vain attempts of geometry proper to rise to its level or to emulate it in its flights.

The object of pure Physic[s] is the unfolding of the laws of the intelligible world; the object of pure Mathematic[s] that of unfolding the laws of human intelligence.

A mathematical idea should not be petrified in a formalised axiomatic setting, but should be considered instead as flowing as a river.