A way a lone a last a loved a long the riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs.

Her lips touched his brain as they touched his lips, as though they were a vehicle of some vague speech and between them he felt an unknown and timid preasure, darker than the swoon of sin, softer than sound or odor.

All fiction is autobiographical fantasy.

Why is it that words like these seem dull and cold? Is it because there is no word tender enough to be your name?

Then Nuvoletta reflected for the last time in her little long life and she made up all her myriads of drifting minds in one. She cancelled all her engauzements. She climbed over the bannistars; she gave a childy cloudy cry: Nuee! Nuee! A lightdress fluttered. She was gone. And into the river that had been a stream . . . there fell a tear, a singult tear, the loveliest of all tears . . . for it was a leaptear. But the river tripped on her by and by, lapping as though her heart was brook: Why, why, why! Weh, O weh! I'se so silly to be flowing but I no canna stay!

I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.

Saying that a great genius is mad, while at the same time recognizing his artistic worth, is like saying that he had rheumatism or suffered from diabetes. Madness, in fact, is a medical term that can claim no more notice from the objective critic than he grants the charge of heresy raised by the theologian, or the charge of immorality raised by the police.