I hear the ruin of all space, shattered glass and toppled masonry, and time one livid final flame.

What birds were they? (...) He listened to the cries: like the squeak of mice be- hind the wainscot : a shrill twofold note. But the notes were long and shrill and whirring, unlike the cry of vermin, falling a third or a fourth and trilled as the flying beaks clove the air. Their cry was shrill and clear and fine and falling like threads of silken light unwound from whirring spools.

Michael Robartes remembers forgotten beauty and, when his arms wrap her round, he presses in his arms the loveliness which has long faded from the world. Not this. Not at all. I desire to press in my arms the loveliness which has not yet come into the world.

I'll tickle his catastrophe.

We are bound together by the sympathy of our antipathies.

If the Irish programme did not insist on the Irish language I suppose I could call myself a nationalist. As it is, I am content torecognize myself an exile: and, prophetically, a repudiated one.

Broken heart. A pump after all, pumping thousands of gallons of blood every day. One fine day it gets bunged up and there you are... Old rusty pumps: damn the thing else. The resurrection and the life. Once you are dead you are dead.