He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.

I am damnably sick of Italy, Italian and Italians, outrageously, illogically sick.... I hate to think that Italians ever did anything in the way of art.... What did they do but illustrate a page or so of the New Testament! They themselves think they have a monopoly in the line. I am dead tired of their bello and bellezza.

Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.

I've been working hard on [Ulysses] all day," said Joyce. Does that mean that you have written a great deal?" I said. Two sentences," said Joyce. I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said. No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.

No one who has any self-respect stays in Ireland, but flees afar as though from a country that has undergone the visitation of an angered Jove.

When I makes tea I makes tea, as old mother Grogan said. And when I makes water I makes water.

Our souls, shamewounded by our sins, cling to us yet more, a woman to her lover clinging, the more the more. She trusts me, her hand gentle, the longlashed eyes. Now where the blue hell am I bringing her beyond the veil? Into the ineluctable modality of the ineluctable visuality. She, she, she. What she?