I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian.

I think there's no excuse for the American poetry reader not knowing a good deal about what is going on in the rest of the world.

I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets.

We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good.

[Gertrude Stein] really needed someone like Virgil Thomson, whom she respected, to sit on her a bit and make her devise some plot.

Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great.

I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it.