I think this orchestra's strengths involve drama and voice.
I thought I'd write one book and the world would change overnight
I can imagine wanting to work with this ensemble and this company always.
I have a big problem with conductors who gesture a lot.
We're in the midst of an evolution, not a revolution.
Its just that, when the orchestra look at me, I want them to see a completely involved person who reflects what we rehearsed, and whose function is to make it possible for them to do it.