The better the script is the more you can commit, but you can only really commit with full confidence when you know the material is as strong as your level of commitment to it and it frees you up.

I don't really... go to 'the opening of an envelope.' I don't really turn up to all the events, you know what I mean? If I'm involved, I'll go, and if there's a good friend who needs support, I'll go, but otherwise... I don't go. I'm probably just a bit like my grandparents; I like staying in.

I wanted to join the navy to get some perspective on the world and explore.

In a love scene that's really advantageous because you don't have that horrible moment of: "We don't really know what we're supposed to be doing, we just know we're supposed to be snogging and then shagging." Then the director shouts "action" and it's like: "Should I feel her boobs? I don't want to feel her boobs!"

I've seen beautiful actresses get spat at or just someone trying to get a rise out of them so they can get an extra hundred bucks for a photo. It's really rough.

I'm 5 foot 7, and I've got pasty white skin. I don't think I'm ugly, don't get me wrong, but I'm not your classic lead man, Brad Pitt guy.

If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.