Basically, every character I've ever played, I've based entirely on internal conflict. And I love doing that, because I think it's very human.

I want to be like Matt Damon and do a hugely successful thinking-man's action franchise like Bourne.

The minute you start to strategize too much, the more you start to think you're in control of your own fate. And you're not, really.

In a love scene that's really advantageous because you don't have that horrible moment of: "We don't really know what we're supposed to be doing, we just know we're supposed to be snogging and then shagging." Then the director shouts "action" and it's like: "Should I feel her boobs? I don't want to feel her boobs!"

We're in a horrible, repugnant place now where kids are told it's their right and due to be hugely famous. Not good at their job, not good at anything, just hugely famous. This is not sane. Little girls think they'll be famous if they have vast breast implants and might as well die if they don't.

As I get older, I want to do more films for kids because they're the best audience around. Just putting a smile on a kid's face is the best thing.

I learned something from a string of failed relationships. You don't see a pattern quickly. You see it over time. I learned to stop jumping in at the first sign of attraction. As soon as you're attracted to someone, you go for it - whether or not it's a good idea. Basically, just going out and getting laid.