I think my recognizability ebbs and flows. I don't lead a particularly celebrity lifestyle or anything like that. I don't go to showbiz parties or red-carpet events, so it all depends on whether I've got a film out. I've not been very visible in the last year or so and as a result hardly anyone stops me in the street.

In a love scene that's really advantageous because you don't have that horrible moment of: "We don't really know what we're supposed to be doing, we just know we're supposed to be snogging and then shagging." Then the director shouts "action" and it's like: "Should I feel her boobs? I don't want to feel her boobs!"

As I get older, I want to do more films for kids because they're the best audience around. Just putting a smile on a kid's face is the best thing.

I don't know if anybody's ever ready for another award season. It's kind of like Christmas.

I think my recognizability ebbs and flows. I don't lead a particularly celebrity lifestyle or anything like that. I don't go to showbiz parties or red-carpet events, so it all depends on whether I've got a film out. I've not been very visible in the last year or so and as a result hardly anyone stops me in the street.

Distance is a bad excuse for not having a good relationship with somebody. It's the determination to keep it going or let it fall by the wayside; that's the real reason that the relationships continue.

At the heart of every really good Christmas movie is the threat, I suppose, to Christmas. Something is wrong with Christmas, in all of these movies. In 'The Polar Express,' there's a kid that doesn't really believe, and that's the threat to Christmas. In 'Santa Claus: The Movie,' jealousy and greed are threatening to overrun his Christmas.