As I get older, I want to do more films for kids because they're the best audience around. Just putting a smile on a kid's face is the best thing.

Playing somebody who's obsessed. Playing somebody who is transgressing, and who is really crossing moral lines and ethical lines. That's always interesting.

There's something about Michael J. Fox that I loved when he did all the '80s stuff. His way of performing all the physicality, which is why it's so tragic now, but the way he used his body so much as well, I loved.

Leading man seems to quite often be an idealized figure.

People come up to me and they're usually nice, but as it goes on you realise that some people aren't nice. Some people are not nice at all.

In a love scene that's really advantageous because you don't have that horrible moment of: "We don't really know what we're supposed to be doing, we just know we're supposed to be snogging and then shagging." Then the director shouts "action" and it's like: "Should I feel her boobs? I don't want to feel her boobs!"

A cry-wanking scene is the struggle to live, in a single moment.