Kids audience is a brilliant audience. If you've got an audience of adults standing up and clapping, or you've got an audience of kids standing up and clapping, I know which one I'd choose.

I was talking to one of my aunties at Christmas and she said she didn’t think it was ever in my nature to go against the grain, that I was always a good boy. I think she was right - I did always want to be good.

In a love scene that's really advantageous because you don't have that horrible moment of: "We don't really know what we're supposed to be doing, we just know we're supposed to be snogging and then shagging." Then the director shouts "action" and it's like: "Should I feel her boobs? I don't want to feel her boobs!"

No movie has ever got enough time. It doesn't matter how much money you've got, and it doesn't matter how much money you've not got. You never finish on time. You're always up against it and you're always working up until the end.

The better the script is the more you can commit, but you can only really commit with full confidence when you know the material is as strong as your level of commitment to it and it frees you up.

Because technically actors are just public servants really. They just tell stories because people need to be told stories. That's all it is. And yet we get treated as though we're important.

A story about my life would be utterly dull.