I'm not interested in food. It's just fuel.

It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.

If you're a creative person, you'd better not read what people write about you, because if it's good it'll blow your head up and it'll force you not to take the subway and you'll start taking cabs, and you'd better stay around people, and if it's bad, it just hurts your feelings so much it discourages you.

I'm proud of 'Miracle at St. Anna' and I loved it; there's no question in my mind it's as good as any movie that came out in 2007.

I could have been, and may one day well be a high school English teacher, because I've been given so much I just feel like I have to give something back. The fact that some people consider my work to be good or strong, it's nice, but I know in my heart that if it's not coming - oftentimes it's probably not coming from the best place.

There are two responses to really awful things. One is to lament and say, "Oh my God, oh lord." And the other is to laugh at it a little bit, try your best to deal with it and, if you can, forget about it as soon as possible.

The act of choosing what to place in your piece when you're a historian or a non-fiction writer already renders it into fiction for someone else. In some ways fiction comes a lot closer to reality. When you start talking about something as brutal as slavery and life in the American West, it's really important to take a non- judgmental stance. We romanticize a great deal about life in the American West, but I thank God I wasn't living during that time. No matter what color you were, it was rough, crude, tough living.