I think comedy allows people to accept the more difficult parts of history. And history, if it's presented wrong, is just very depressing, particularly the history of slavery. If slavery is presented properly, it's a great story. But I think that within the commercial world of storytelling in which I live, there haven't been many strong works that discuss slavery in ways that are palatable and funny and interesting to the reader.
James McBrideNewt Gingrich wrote a novel, and he's a short story. Bill Clinton wrote a biography, and he's a novel.
James McBrideSlavery was a web of relationships, and if people knew how thick the whole business was, they would not make fun of people like Harriet Tubman. They would understand how intelligent she was and how sharp.
James McBrideI can write anywhere really. I have a hard time writing when the birds are tweeting and the brooks are running outside. I've tried that several times, for months at a time, trying to write in a quiet, wonderful place where birds are twittering and coffee's brewing. And nothing happens. But if I'm in an old dump like my old apartment and I can't find my fingernail clippers and nothing's working except the old tea maker, that's just great. You always have to find and live in a place that's a little uncomfortable when you're a writer. You need a burr in your side.
James McBrideAs a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.
James McBride