I do enjoy that folks [ Howard Ashman, Tim Rice and Chad Beguelin] really get into [ Aladdin ] because I enjoy getting it. I love it where you just get to go nuts. Ninety percent of what you hear, he wrote. There's ten percent that he let me play around with in the studio and actually put in the script if it was funny enough.

I keep "leave me alone, I'm busy " pretending to work sign with me because my dad once told me to find a job that you would do for free and I would do this job for free. But I would be a performer for free because that's all I've ever loved to do. I've worked so hard to get to the point where work doesn't feel like work. So when I come to work, I'm actually coming to play - I'm coming to recess. So, when you see me, leave me alone, I'm busy ... pretending to work.

I love performing. There is an ego in me that loves to be in front of people.

I love to make people laugh and love to make people smile. The first time I performed and heard the applause, that was the sound that I wanted to hear for the rest of my life.

I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.

People think that [I will leave Aladdin after Tony reward], but what they don't understand is that we actually enjoy what we are doing. This wonderful company that I work for has allowed me to do other things while I'm doing this.

There are people out there who pay their hard earned money to see a good show and people who work 9 to 5 and they saved their money and they want to see the best show possible.