And I was constantly trying to stay in body, so to speak. It feels very surreal, and I go away to a happy place where I'm there but not really there. I was just trying to enjoy the night, I guess is what I'm saying. We had a lovely after-party.

You just work really hard and scrutinize. What is it called in politics? "Opposition research"? You want to do the detective work on your client so to speak before your opponent can dig it up. We're vetting everything thoroughly.

This needs to work on that level, but it has the additional strain of it's going to be profoundly scrutinized by political junkies from the right and the left who will pick apart every little thing. We are inherently dramatizing Hillary Rodham, or Hillary Clinton, who's a very famous figure. There's a lot of biographies about her, but there's also elements that are private moments, that are dramatized with an arc, and we have to take creative license. Everything is sort of a cost-benefit.

With Rodham, for instance, it has to work on an emotional level. It has to work on a character level. If it's only "Look, it has famous people," then it's a wax museum come to life and that's really boring. It's sort of like what they say about science fiction and horror where the really good ones, if you remove that element of it, it still has to work. That's the reason The Shining works or Rosemary's Baby or Blade Runner.

I cannot control what you bring into the theater when you see the film. I can't control what my parents bring in. I can't control what some random person on Twitter brings in to the theater. All I can control is the hour and 50 minutes that the movie lasts, and try to give it absolutely everything I can.

And don't rush to make movies. Movies should be made when they're absolutely ready. There's too many bad movies being made.

Whether a project is large or small, it doesn't matter much to me as long as I feel I can serve the story as best as possible.