Mathematical economics is old enough to be respectable, but not all economists respect it. It has powerful supporters and impressive testimonials, yet many capable economists deny that mathematics, except as a shorthand or expository device, can be applied to economic reasoning. There have even been rumors that mathematics is used in economics (and in other social sciences) either for the deliberate purpose of mystification or to confer dignity upon common places as French was once used in diplomatic communications.

Mathematical economics is old enough to be respectable, but not all economists respect it. It has powerful supporters and impressive testimonials, yet many capable economists deny that mathematics, except as a shorthand or expository device, can be applied to economic reasoning. There have even been rumors that mathematics is used in economics (and in other social sciences) either for the deliberate purpose of mystification or to confer dignity upon common places as French was once used in diplomatic communications.

It is unnecessary to understand electromagnetic theory before wiring a lamp or to study physics in order to repair a pump. We count on our fingers and give no heed to the proliferating implications of the act.

In the simplest array of digits [Ramanujan] detected wonderful properties: congruences, symmetries and relationships which had escaped the notice of even the outstandingly gifted theoreticians.

The most painful thing about mathematics is how far away you are from being able to use it after you have learned it.

Games are among the most interesting creations of the human mind, and the analysis of their structure is full of adventure and surprises. Unfortunately there is never a lack of mathematicians for the job of transforming delectable ingredients into a dish that tastes like a damp blanket.

There are... scientific works - star catalogues, for example - which are not art; but the theoretical structures of Gauss, Einstein, or Maxwell are original, individual, "very personal" responses and expressions of exactly the same kind as the creative works of Beethoven or Dostoievski.