When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.

The wide world was changing, and she wanted a different place in it. Not just wanted, but felt she deserved. If the world didn't owe her a living, as her mother repeatedly warned her, it owed her a break. She had a strong sense that a better, more exciting, more rewarding life than that which had been the lot of her parents and grandparents was hers by right. In this she was guilty of nothing more serious than the arrogance of youth, from which every generation suffers and by which it distinguishes itself from the preceding one.

There's a perception that British pies suffer from mediocrity, and historically they have. We're trying to re-educate people about what pie is.

The dead hand has too long hampered the freedom of the living.

No one can say I didn't pay my dues in life.

It might be tough, but my dad used to say, tough times don't last — tough people do.

Our ability to look back on the past, our need or desire to make sense of it, is both a blessing and a curse; and our inability to see into the future with any degree of accuracy is, simultaneously, the thing that saves us and the thing that condemns us.