Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future.

I am afraid of him, of all men who are successful in love.

One should not believe too strongly in a life which can easily vanish.

You can write about other people and their ideas and life without having lived it, but even your perception of that is going to be colored by what you know and what you experience. And this is undeniable.

Normally, what you’re envious of is a book, not a writer: standards, ideas, levels … almost nonexistent things.

But knowledge does not protect one. Life is contemptuous of knowledge; it forces it to sit in the anterooms, to wait outside. Passion, energy, lies: these are what life admires. Still, anything can be endured if all humanity is watching. The martyrs prove it. We live in the attention of others. We turn to it as flowers to the sun.

I don't fear death. I'm not obsessed with it the way everybody else seems to be. It's wrong to say "everybody," but in literature I see it all the time - preoccupation with it, philosophical preoccupation, in fact. That's a principle element of literature and philosophy, often cited as the main element, the only real element. I say give it up.