Anyone living in Los Angeles who has opposable thumbs is required to write a screenplay.

Write like you're in love. Edit like you're in charge.

Think of it as the Doorway of No Return. The feeling must be that your lead character, once she passes through, cannot go home again until the major problem of the plot is solved.

My philosophy on writing books is that if you learn only one new thing, or even get a new take on something you already know, it's worth it.

The most important rule: Do not, I repeat, do not censor yourself in any way. Leave your editorial mind out of the loop. Just let the ideas come pouring out in any way, shape, or form they want to. Do not judge anything.

The semi-colon is a burp, a hiccup. It's a drunk staggering out of the saloon at 2 a.m., grabbing your lapels on the way and asking you to listen to one more story.

Status, worry and comparison are ways to madness, not victory.