Anyone living in Los Angeles who has opposable thumbs is required to write a screenplay.

Think of it as the Doorway of No Return. The feeling must be that your lead character, once she passes through, cannot go home again until the major problem of the plot is solved.

The most important rule: Do not, I repeat, do not censor yourself in any way. Leave your editorial mind out of the loop. Just let the ideas come pouring out in any way, shape, or form they want to. Do not judge anything.

The thing I do at the beginning is a "voice journal," a free form doc that is the character speaking to me. I just work on it until I start to hear different from my own, or the other characters.

In fact, one could argue that the skill of the fiction writer boils down to the ability to exploit intensity.

My philosophy on writing books is that if you learn only one new thing, or even get a new take on something you already know, it's worth it.

Write like you're in love. Edit like you're in charge.