I typically will work on a lyric in a three-ring binder. On the right side, I'll write the lyric, and on the left side, I put in alternate things...and things that might be alternates or improvements. I'll turn the page and do it again. I'll turn the page and do it again, or incorporate the improvements. Eventually, I end up with some material, and often it needs to be ordered.

I have a love-hate relationship with the Grammys because I don't see the music world as a competitive sport.

It is a process of discovery. It's being quiet enough and undisturbed enough for a period of time so that the songs can begin to sort of peek out, and you begin to have emotional experiences in a musical way.

Don't be sad cause your sun is down, the night doesn't need your sorrow. Don't be sad cause the light is gone, just keep your mind on tomorrow.

If you think my music is sentimental and self-absorbed, I agree with you.

One of my earliest memories was me singing 'Oh, What A Beautiful Mornin' at the top of my voice when I was seven. I got totally carried away. My grandmother, Sarah, was in the next room. I didn't even realise she was there. I was terribly embarrassed.

Certain things in life are more important than the usual crap that everyone strives for.