I'd been basically anchored in New York for three years, but I fled to L.A. after the funeral and decided that I had to start a movie immediately. It was the only way to avoid becoming overwhelmed by depression. And that meant financing the film myself because there is no such thing as "immediately" in movies that one writes.

It's hard to give a dramatic shape to even the most dramatic life. . . . you are forced not just into selectivity, but into alteration, distortion and outright lying about what did and didn't happen.

I felt, "Oh, film is a great art because I can pull in music and visual imagery, and it has its literary aspects and drama." Film was a sort of Wagnerian synthesis of the arts, as opposed to opera, which Wagner had thought would be. That's another art form that has seen its best days.

[Robert Downey was being singled out for] selective prosecution. He's a sweet guy who never did harm to anyone except himself. He's been doing drugs for 20 years and functioning for 20 years, and in those 20 years there've been hundreds of people who've been getting high constantly and behaved very destructively and have not been arrested. Robert's real problem is he gets caught.

When people are temperate in their behavior, in their lives, someone who is addictive or extreme or obsessive can't understand how people can just go through their lives in the middle, and people who are rational and balanced can't understand the opposite. I'm one who's in the extreme camp in almost every area of my life and I always have been. I've observed that I'm in a minority, but I never understand people who are measured.

Death is a part of life, and eventually I assimilated that completely.

In a way, I think that the movie Fight Club [1999] did a weird, negative thing to boxing, culturally. I mean, it is sort of similar to what has happened to the novel. For however many good novels are written, the novel itself has completely lost its place.