The collaborator has to be someone who understands that his role is to help you articulate what you want, but at the same time is not just going to be mechanically obeying, but adding to, supplementing, and coming up with stuff.

I'd been basically anchored in New York for three years, but I fled to L.A. after the funeral and decided that I had to start a movie immediately. It was the only way to avoid becoming overwhelmed by depression. And that meant financing the film myself because there is no such thing as "immediately" in movies that one writes.

The collaborator has to be someone who understands that his role is to help you articulate what you want, but at the same time is not just going to be mechanically obeying, but adding to, supplementing, and coming up with stuff.

To have six billion people on Earth, two billion of whom are carrying around a warped view of you? That has to register.

I feel like Alain Delon, who once said, "It doesn't matter that I'm not a star in America because I'm a huge star in France, I'm a legend in Spain, and I'm a god in Japan.

I work seriously with complete integrity. I never, never, never have offered a part to anyone who didn't deserve it, and I've never not delivered when I do offer a part. My word is better than a contract.

I've struggled seriously to make movies with very little money, that I write, that I direct, that mean my life to me. The idea that I would offer a part to anyone for any other reason than that he or she was gonna be the best of anyone I could find is so disgusting to me. I don't give my best friends parts unless they deserve them. Ever.