The collaborator has to be someone who understands that his role is to help you articulate what you want, but at the same time is not just going to be mechanically obeying, but adding to, supplementing, and coming up with stuff.

I think there's a general sense that the belief structures that existed and carried civilization forward have weakened to the point where they can no longer support it. They are not powerful enough to do it anymore because there is not enough serious belief in them.

Death is a part of life, and eventually I assimilated that completely.

I've struggled seriously to make movies with very little money, that I write, that I direct, that mean my life to me. The idea that I would offer a part to anyone for any other reason than that he or she was gonna be the best of anyone I could find is so disgusting to me. I don't give my best friends parts unless they deserve them. Ever.

I'd been basically anchored in New York for three years, but I fled to L.A. after the funeral and decided that I had to start a movie immediately. It was the only way to avoid becoming overwhelmed by depression. And that meant financing the film myself because there is no such thing as "immediately" in movies that one writes.

[Robert Downey was being singled out for] selective prosecution. He's a sweet guy who never did harm to anyone except himself. He's been doing drugs for 20 years and functioning for 20 years, and in those 20 years there've been hundreds of people who've been getting high constantly and behaved very destructively and have not been arrested. Robert's real problem is he gets caught.

Much as I like getting awards in Oldenburg, Germany and Torino, it's nice to get one in America.