My desire is to set up a situation to which I take you and let you see. It becomes your experience.

Remember technology does not make good work. You can still write a poem on a brown paper bag, and haiku is just as profound as the pyramids.

I like when you feel like you arrive in a very different place, with a different ordering of the reality you normally think of.

Light is a powerful substance. We have a primal connection to it. But, for something so powerful, situations for its felt presence are fragile . . . I like to work with it so that you feel it physically, so you feel the presence of light inhabiting a space.

[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.

I've always felt that night doesn't fall. Night rises. There are these incidences in flying where you just sit there. It's one of the best seats in the house.

Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, it’s been waiting for you.