The hip-hop aesthetic and the way it's produced always motivated me. Alongside that I was still wanting to make great traditional songs because I've never had any desire to rap. My love of hip-hop is driven by my love of rappers, but it was built out of my love of producers.

When I started out making music I thought it was about thrills and adding layers, but I realized I want to focus on saying the most with the least.

I approach every show from the same fundamental perspective: this is a conversation, and my job is to make people leave the show feeling like they've seen something singular. It's not about smashing someone over the head from the jump-off.

I feel the reasons my songs might seem dark is because of how I viewed the situations I was in and it was just something I always felt like documenting.

Its always important to fall back on your instincts and core beliefs and that was pretty hard for me to do but trusting in my self the way I trusted that if I were to sit at a piano for two hours and I was going learn something, that trust I'd put in myself really helped me get through it. For five to six months I just wrote songs and believed they would turn out to be things I could be proud of and be happy.

I feel if I wanted to be taken seriously I have to study music the same way someone who wants to be a doctor would study medicine. You have to know your craft and by doing so I had to make sure to ignore what people were thinking as well.

I moved to London with this really warped sense of expectation.