I think storytelling is storytelling. It doesn't matter what format it's shot on.

I realized that my camera work could help me in a lot of ways to put the audience in the driver's seat, so to speak, to get them in there with the action, and to get them as close and be as intimate with what was going on on-screen as possible.

We're terrified of shocks but we're so fascinated by it at the same time. We're terrified of spiders and reptiles and all of that but at the same time you're fascinated by them - you want to go to the zoo and go behind the glass and look at all these creepy crawlies! It's the same thing with the supernatural. I think we're very frightened by it.

There's really no reason to rehash something that you've already seen.

The whole wide world scares me! Seriously. I think what happens in our world is so much more frightening than anything I can come up with in my movies.

I'm a big movie fan, and I want to make movies in every genre. I want to make my romantic comedy one day.

I'm a visual filmmaker so the camera is a big part of my storytelling tool and it's something that I really rely on to tell a scene or create the suspense that I need and create the emotion of a scene or a sequence.