I maintain that two and two would continue to make four, in spite of the whine of the amateur for three, or the cry of the critic for five.

Art should be independent of all clap-trap - should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.

Industry in art is a necessity - not a virtue - and any evidence of the same, in the production, is a blemish, not a quality; a proof, not of achievement, but of absolutely insufficient work, for work alone will efface the footsteps of work.

I am not arguing with you - I am telling you.

The masterpiece should appear as the flower to the painter - perfect in its bud as in its bloom - with no reason to explain its presence - no mission to fulfill - a joy to the artist, a delusion to the philanthropist - a puzzle to the botanist - an accident of sentiment and alliteration to the literary man.

For art and joy go together, with bold openness, and high head, and ready hand - fearing naught and dreading no exposure.

The world is divided into two classes - invalids and nurses.