And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.

Telling writers to shut up is a sure way to keep them talking.

Historically, Hollywood comedy has arrived in skinny envelopes. From fence post Buster Keaton to herky-jerky Jerry Lewis to wiry nerve-bundle Woody Allen to hung-loose Richard Pryor to whippy contortionist Jim Carrey, its comics and clowns have tended to be sliced thin and bendable.

Paris Hilton and Kim Kardashian would have left little more than lipstick stains in their passing had it not been for the sex videos that lofted them into reality-TV notoriety. Once notoriety has warmed into familiarity, celebrity itself becomes one big 'Brady Bunch' reunion, or a therapy session with Dr. Drew.

It isn't that NPR is matriarchal but that it has dedicated itself to not being patriarchal in its outlook and presentation, stipulating from the outset that its headline voices would not resound across the fruited plains from big male bags of air sent from Mount Olympus.

I root for hurricanes. When, courtesy of the Weather Channel, I see one forming in the ocean off the coast of Africa, I find myself longing for it to become big and strong--Mother Nature's fist of fury, Gaia's stern rebuke. Considering the havoc mankind has wreaked upon nature with deforesting, stripmining, and the destruction of animal habitat, it only seems fair that nature get some of its own back and teach us that there are forces greater than our own.

People want somebody to be a daredevil, even if they're not going to be a daredevil themselves.