Honestly, it's the luck of the draw. If you are comfortable with the actor that you're opposite of - it just breaks down a lot of those insecurities and you can just say, "Okay, I trust this person, and I respect them and know they respect me," and then you can just go with it. When that doesn't exist, it's a lot harder to let go.

There's a certain rhythm to comedy that is almost like you're dancing and you just go on autopilot, so to speak. There's something just beautifully enjoyable about comedy in that respect. It's a joy to be able to do that. Drama, you get to go to depths that you haven't gone to before.

There's a film I did called 'Front of the Class', about a teacher who had Tourette's. That was a beautiful blend of drama and comedy. There's some great moments of levity in the script.

I have a dog. I'm a dog lover.

I always feel like hard work leads the way, and from there, I leave it up to the powers that be.

I'm not a network executive, but it seems to be a time when networks take more of a gamble with higher-concept shows. And so, it's fun to be on something that's original, that's finding viewership, that's finding a great audience, and really distinguishing itself. Summer's a great place to do that.

I just grew up loving acting and loving entertainment.