There's very much a domino effect when I'm playing. In fact, that's a good way of putting it. I'm trying to topple all the dominos in a single stroke. That would be a show with perfect momentum. Every now and again, you get one of those dominos that moves to the side a little bit, traps things and you have to stand them all up again and see if people will go with you. They'll let you off a few times but if you make too many mistakes they'll get a bit anxious.

I wanted to make an album that I wanted to put on myself and could listen to again and again. In the past I've done these records that are very in-depth. I love them and I'm very proud of them but I've always found it hard to listen to them again and again...they're very demanding.

I really wanted to maintain that bedroom philosophy to creating stuff. I don't believe the hype; I think a great record is because I put a lot of love into it. If people are feeling it, that's fantastic.

Accessible music is much harder. I could throw out the other kind of albums with my eyes closed. I wouldn't belittle those who want to do the Tricky thing, but it does make me wonder sometimes.

I feel myself developing more and more of this soul voice, and...it's a mystery to me. Fundamentally, I just think because I feel it, it's alright.

If I don't keep my music varied I go a bit stir crazy, you know? If I don't have the opportunity to jump genres every now and again I feel I'm boxed-in.

I made an instrument which I'm really happy about, because I always wanted to have a machine that did this so once I established it as my unique tool, it was like, now I'm going to master it like a guitar.