Accessible music is much harder. I could throw out the other kind of albums with my eyes closed. I wouldn't belittle those who want to do the Tricky thing, but it does make me wonder sometimes.

It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.

I do really enjoy having a crowd of people out to see me. They really motivate me. I feel really lucky they've come down so I give it what I have got every time.

I'm always constantly battling with dry patches. I think I need a Plan B. Thankfully, I've always been able to pull something out of the bag in the heat of the moment.

I just wanted to have some songs I could stand behind, and when I'm on stage just be loving it. People ask me why I did that and I think perhaps it's because Berlin is quite a gray place and I needed to sympathize with a bit of sunshine.

There's a difference between writing, the written word, and music. When you have the blank page it doesn't make a sound, which is like what happens to me every night when I'm playing. There is that crazy moment: the first mark you make on the page. But sound can inspire sound, in a way that words can't inspire words - at least for me. The nature of sound itself is still a huge mystery to me. I'm very happy about that.

People can rock together, people can do great things together, and that's what you love when you're working with characters and it's all going well.